Poster for The Comfort Dogs of Uganda, directed by Richard Wainwright, AFIN 2026

Documentary Short AFIN 385

The Comfort Dogs of Uganda

Directed by Richard Wainwright

AFIN 2026 Winner

  • 2026
  • 30m
  • Australia
  • English
  • MA 15+
  • War
  • Non-fiction
Australian First-time filmmaker

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Stills

9 frames

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Credits

Cinematography

Synopsis

The trauma of war never truly goes away. For the former child soldiers of rebel warlord Joseph Kony’s Lord’s Resistance Army, the shock of abduction and unspeakable atrocities they witnessed left a lasting, scarring impact. But in the shadow of that brutal 20-year conflict in Northern Uganda, a remarkable story of resilience unfolds through the unexpected companionship of rescued dogs. The Comfort Dogs of Uganda follows the lives of Lucy, Francis and Jennifer as they struggle with social stigma and severe PTSD. Alongside them are Sadik, Tommy and Ogen: rescued canines from The Comfort Dog Project (CDP) who themselves are overcoming abandonment and mistreatment. This film follows the transformative bond between these fellow survivors as together they learn to trust, to love, and to reclaim their lives once more.

On the nomination

"I'm deeply grateful for this nomination. It's incredibly meaningful to have the story of The Comfort Dog Project recognised in this way. I know all the war trauma survivors featured in the film, alongside their extraordinary dogs, will be incredibly proud to see their courage, resilience, and hope acknowledged.”

Director's Statement

Richard Wainwright, filmmaker portrait provided to AFIN.

In 2002, I was an early career photojournalist in Northern Uganda, documenting the atrocities of the Lord’s Resistance Army. The children abducted and forced to fight by rebel warlord Joseph Kony became more than a story to me. It’s rare to return to an assignment that affected you so deeply. But 20 years later, that opportunity came when I discovered The Comfort Dog Project (CDP). It felt like coming full circle. What happens to child soldiers after war ends often remains untold, and they had a compelling story to tell. The CDP helps them rebuild their lives through a remarkable form of therapy: being partnered with rescued dogs who’ve experienced trauma of their own. The dogs are the quiet heroes, and I wanted them to be central in the film. Their companionship unlocks healing that traditional counselling alone can’t reach. It’s a connection that is only deepened by understanding the science behind it all. Many of these young adults were never fully accepted back into their communities. They’ve struggled with stigma and unhealed trauma. That’s why I felt it was important to include photographs I had taken in 2002 - to show the faces of the children they once were and the journey they’ve made. Filming took place over two trips, using a minimal setup: a Canon R5, gimbal, and slider. Accompanied by Francis - a community psychologist, translator, and leader of the Comfort Dog Project- we sought to create a safe and empathetic environment. What emerged was a story of resilience, healing, and the extraordinary bond between humans and dogs. My hope is that this film brings visibility and support to The Comfort Dog Project - and helps audiences discover what I did: that kindness, connection, and the unconditional love of a dog can be transformative.

What makes this one special

  • Queensland PremiereThe filmmaker tells us this is where it happens
  • 3 awards at other festivalsFAUNA Tepoztlán Animal Festival · The Impact DOCS Awards · Short Film Factory
  • Programmed at 8 other festivalsAcross 5 countries
  • A first-time filmmaker

From the Judges

From the Judges

Warmth and information arrive together here, and the panel came away moved and better informed about a programme few would have heard of. Praise gathered around the direction: a structure that holds attention the whole way through, an intimacy in the interviews that lets each person's story land on its own terms, and a clear sense that the filmmakers built a safe space for those voices. Drone-captured landscapes, vibrant and sharp camerawork, and a beautiful soundtrack give the piece its originality and its heart.

Curated, anonymised highlights drawn from the judges' notes.

Also selected at

3 awards, 5 official selections across 8 other festivals

  1. WinnerFAUNA Tepoztlán Animal FestivalAward-Most Inspiring Short Documentary · Mexico, Mexico · 2026
  2. WinnerThe Impact DOCS AwardsAward of Excellence Special Mention · California, United States · 2026
  3. WinnerShort Film FactoryBest 'Social Change' Winner November · Bucharest, Romania · 2025
  4. SelectionFAUNA Tepoztlán Animal FestivalLatin America Premier / Official Selection · Tepoztlán, Mexico · 2026
  5. SelectionRed Poppy Film FestivalSydney Premier / Official Selection · Sydney, Australia · 2026
  6. SelectionThe 13th Parish Jersey International Film FestivalOfficial Selection · Jersey, United Kingdom · 2026
  7. SelectionThe North Film Festival-New York CityOfficial Selection · New York, United States · 2026
  8. SelectionWA Made Film FestivalAustralian Premier / Official Selection · Perth, Western Australia, Australia · 2026

Recorded by the filmmaker on their entry.

Director's Biography

Richard Wainwright, filmmaker portrait provided to AFIN. Richard Wainwright Director

Based in Perth, Western Australia, Richard has more than 20 years’ experience documenting social justice and humanitarian issues for international aid agencies. His background as a photographer and filmmaker enables him to capture the challenges and successes of people with empathy and compassion, a skill that has helped him tell stories all over the world, from Afghanistan to Zimbabwe. Richard brings this approach to his directorial debut in The Comfort Dogs of Uganda, a deeply personal project and his most fulfilling work to date.

Trailer

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The Comfort Dogs of Uganda was Winner of Best Documentary Short Subject at the AFIN International Film Festival 2026, a Top 100 Best Reviewed and IMDb-qualifying festival.

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AFIN 2027

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On FilmFreeway since Sunday 1 November 2026. 22 awards, and every film can be up for several.

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