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Synopsis
This multi award winning socially important short film screened in the USA and Europe and qualified for the 2020 Academy Awards.
A dying man contemplates his younger self as he floats in the blackness of a coma, coming to terms with the sexual abuse he suffered as a child. The boy’s parents seem oblivious as he struggles with his guilt and shame at a new school where he feels left out until his housemaster makes a move.
In an abstract evocative telling of a story based on a real court case the film explores themes of love, child sexual abuse and redemption.
Director's Statement
The film is inspired by true events and the lives of two men - victim and perpetrator. They are both alive today. The film opens and closes with a red kite flying fearlessly and joyfully in the wind. It's a metaphor for freedom and represents both the protagonist’s present as the kits is battered and buffeted by the wind and his future as it’s allowed to soar upwards. We use an abstract visual form to tell is very painful story. The film blends two time periods where we meet our protagonist Daniel and our antagonist Trevor at two different ages. As the piece progresses we see the balance of social power shift in favor of Daniel, who finds a form of salvation in his music and refuses to succumb to the descendency so common in victims of abuse. However the shame starts to eat at him and he finds himself dying. Eaten from within by the secret. At the heart of the story is the concept of injustice and shame and a hypothesis that in silence there is a benign conspiracy to avoid difficult subjects. In the film we visit moments of love, panic, confusion, ignorance, mental and emotional impotence. My approach to this film is to tell a raw difficult story through the eyes of a young man who has no idea what’s happening, and no idea that what is happening is wrong. I want to grasp in the actions and voice of this young man the righteous indignation that I feel as I think of his inability to manage a circumstance beyond his control. I want to tell this in a poetic way so as also to pay tribute to the fact that the real life person, on who this is based, managed to rise above his secrets and create a life that was creative and fruitful. On a human level I have a direct connection to the subject matter and was present during times when Stephen - the real Daniel - was closest to death without ever knowing that he was hiding this terrible dark secret inside of him. Stephen maintains that it was this secret that created the cancer, which began to eat him from the inside out. This film tells a painful story that ultimately ends in joy and redemption and freedom from the shackles of an internal prison, in which our lead character, finds himself. The film illustrates that injustice is something that occurs in many incarnations and that silence is a form of benign conspiracy. Instinctively I am naturally attracted to dark subject matter. I am also at my most personally indignant state in the face of injustice. As a writer, director, producer, father, son, and as someone who’s experienced an abusive episode myself, this film has many layers that are attractive to me as a storyteller.
From the Judges
From the Judges
Handled with a gentle integrity, the filmmaking here is polished and carefully composed, tracing a difficult subject through a patient structure that lets understanding build rather than reaching for the sensational. They found it a genuine contribution, drawing on a true story to bring something too often kept under the carpet into open view. Dark and sad, it still carries a message of hope, and the panel found it powerful, thoughtfully made, and well worth recommending.
Director's Biography
Adam Matalon Director
Adam recently received a 2018 Emmy nomination “best digital drama” for producing Tainted Dreams (Amazon). He is in post-production for a feature documentary he is directing. In The Shadow of the Flag charts the journey of 16 military veterans finding home and tribe after war through the backdrop of dance therapy and a unique program with Diavolo Dance Theatre. He spent several formative years in children’s programming and was a proud directors unit member of multiple Emmy winning seasons of Sesame Street. Bear In The Big Blue House, The Book Of Pooh and Between The Lions. His director credits include Seasons In The Valley narrated by Elliot Gould which was a winner of several festival awards during its run including "Best Documentary" Queens Film Festival and the horror feature Death On Demand, as well as directing numerous home DVD titles for Sony & Sesame Street and the award winning Jane Tuesday shorts, which he created, wrote and produced for the multi Emmy winning series. Additionally he has directed or produced several short films including Falling to Pieces, American Girl and Sex & Camping. He is focused on real stories and is currently writing a feature script about African American transgender opera singer Breanna Sinclair and is thrilled to have been instrumental in shepherding A Boy a Man and a Kite for the last 2 years with collaborator Stephen Endelman.
Trailer
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A Boy a Man and a Kite was Winner of Best Young Artist at the AFIN International Film Festival 2019, a Top 100 Best Reviewed and IMDb-qualifying festival.
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