Joshua Roberts
Producer, Cinematographer and Editor at AFIN
Australia (from their AFIN films)
For Joshua
Is this you, Joshua?
AFIN keeps this page for you. If your work has been recognised here there may be a membership waiting that we have had no way to deliver, because the address we hold belongs to whoever entered the film rather than to you.
This does not sign you in and does not change this page. It asks AFIN to check, and we write to you.
Your page
This is your page. Change your biography, links and photographs from your account.
Edit your page- 2nominations
- 4credits
- 2025-26years at AFIN
AFIN recognition
From the Judges, on Bingo Man (2026)
From the Judges, on Bingo Man
A horror premise built around a child's imaginary friend, drawing its unease from an unusual central idea and a young lead who carries the emotional weight of the story. Close framing and expressive lighting hold the intensity, and the hinterland locations give the darker material a beautiful setting to sit against. Costume and production design work quietly alongside that vibrance, down to details as small as a matching flash of yellow.
From the Judges, on CLOCKWORK (2025)
From the Judges, on CLOCKWORK
A tender story about ageing and the bond between a father and son, moving between past and present. It struck the panel as heartfelt and generous work, with period costuming and a lived-in work shed at its centre that gave the film real texture, and cinematography that lit and framed every shot with purpose. Smooth, controlled camerawork, the colour contrast drawn from practicals in the night scenes, and a score tuned to its era all drew admiration.
AFIN credential card
A branded card summarising Joshua’s AFIN recognition - download it to share on LinkedIn, a CV or a press kit. Every share carries the festival’s name.
Credits at AFIN
Australia 
Explore AFIN
Every film links to its permanent AFIN page with results, laurels and trailer.