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Credits
Produced by
Music & Sound
Synopsis
The music video is based on “Un Nòt Kankan”, a satirical Creole song from early 20th-century New Orleans, featured in the collection Mò Kouzin, Mò Kouzinn, released by singer-songwriter and producer Benoît LeBlanc.
Popularised by Jelly Roll Morton and later recorded by Kid Ory, the song humorously targets Madam Pédeaux, a character known for gossiping and causing drama. The lyrics, sung in Kouri-Vini (Louisiana Creole), mock her constant chatter and troublemaking, embodying the playful spirit of Creole musical traditions. The rhythmic flow and witty lyrics highlight the song’s cultural significance in early Creole music.
About the music:
The album Mò Kouzin, Mò Kouzinn is the result of several years of research in the very neglected corpus of the musical heritage of the slaves and free people of color of the 19th and early 20th centuries. The album is the result of over 25 years of research into the musical heritage of Louisiana’s slaves and free people of color. It revives 27 pre-jazz songs that blend Afro-Caribbean rhythms, field hollers, and Creole laments, tracing their influence on the development of jazz and American music. These historical songs reflect a connection to the broader musical traditions of Haiti, Martinique, and Guadeloupe, while also highlighting the survival of the Creole language, Kouri-Vini, in Louisiana.
Jazz historians almost always mention the mythical Congo Square when they talk about the genesis of jazz. You will hear on this album some songs that were sung in Congo Square during the first half of the 19th century in New Orleans...Not only is the existence of such a musical heritage largely unknown, most people don’t even know that Kouri-Vini is still spoken in Louisiana. This album is proof that Louisiana Creole is alive and well. And beautiful.
Director's Statement
I am greatly inspired by music and fascinated by the transformations and transitions that occur within nature and people and how our perception of time alternates with various life experiences. Cinematography allows me to express and share this passion by creating what is hopefully a sustainable dialogue between my subject and the viewer.
What makes this one special
- Australian PremiereThe filmmaker tells us this is where it happens
- 3 awards at other festivals𝗔𝗹𝗹 𝗧𝗵𝗮𝘁 𝗠𝗼𝘃𝗲𝘀 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 · Munich Music Video Awards · 12th International Sound & Film Music Festival
- Programmed at 15 other festivalsAcross 9 countries
Also selected at
3 awards, 2 finalist placings, 10 official selections across 15 other festivals
- Winner𝗔𝗹𝗹 𝗧𝗵𝗮𝘁 𝗠𝗼𝘃𝗲𝘀 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹
- WinnerMunich Music Video Awards
- Winner12th International Sound & Film Music Festival
- Finalist20th Beloit International Film Festival
- FinalistFestival de Sorocaba
- SelectionDresdner Schmalfilmtage
- SelectionFemi Festival Régional Et International Du Cinéma De Guadeloupe
- Selection10th International Film Festival of Shimla
- Selection11th Goa Short Film Festival
- Selection16th Seoul Yeongdeungpo Intl Extreme-Short Image & Film Festival
- Selection17th Punto di Vista Film Festival
- Selection73rd Festival Internazionale Del Cinema Di Salerno
- SelectionAurora Film Festival
- SelectionKreyollywood - Kreyol International Film Festival
- SelectionListening Room Film Festival
Recorded by the filmmaker on their entry.
Director's Biography
Douglas Capron Director
I started my visual arts career documenting live music, particularly the Blues and Jazz scene, and made my first experimental film in 1997 which won an Honorable Mention at the US Super 8mm Film Festival, Rutgers University, New Jersey. This progressed to taking portraits of musicians and designing album covers which inspired me to explore photography as an art form. I continued to develop my creativity collaborating with musicians and started producing and directing music videos. Recently I have started to write screenplays.
Placings
Recognised in this category at AFIN 2024, as announced that season.
- Best Music Video Finalist
